My Stethoscope Palm

comments 64
Christ / Poetry

I walked out into a field
of grass and golden light
to place my hand upon the sky,
and spun the heart wheel.
The world blurred into songs–
the old ones, the ones that can fly–
then became the memory
of human heads
nodding in the darkness
as the truth was shared
one to one.
Knowledge poured out of me
to join with the Directions.
It told me that every tear
will be wiped away,
then became a rabbit
and dashed out of sight.
Eventually the wheel slowed,
and my life emerged again from it.
A wedge of sadness ticked past,
giving way to one of joy,
then hope,
and then the needle
settled on power.
The wheel was still.
The sky was a soft yellow,
and my hand was upon it
as I gave my testimony.

I could give up God
if you think that would help–
the version written down in books,
and the concepts we debate
until the gum has lost its flavor–
but I could never hand over
the memory of power.
Power that nobody owns.
Power that cannot be hidden.
Power that cannot be tamed.
Power that raises up.
How could I give you
the sound that emerges
from the point in my being
where my hand
touches the sky,
when there’s a root in me
that cannot be pulled?

Once, a relative was sick,
and we prayed in a good way.
In the darkness
the songs rose up,
and then the rattles,
and then the lightning–
in the room we had blackened
in the house we had blackened
on the land that had blackened.

Afterwards,
we passed our visions around
and drank from them,
nodding our heads slowly.

I don’t know why I’m saying this.

I guess I just wanted to say
that some things are in us,
whether we like them or not,
like the trembling nights
that cauterized the stones.

I guess I just wanted to say,
as gently as possible,
that if you tell me our holiness
isn’t enough, I won’t believe you.
Instead, I’ll touch the sky
with my stethoscope palm
and I’ll remember for both of us:
out heart is a drum,
and it’s flooding with song.

Seeing Through Seeing

comments 36
Poetry

The wind is blowing softly,
and just earlier today,
three morning doves
were nestled in the grass,
their rounded faces poking up
like a clan of bottle-tops
drifting along together
in a quiet green sea.

We were watching
from behind the window,
and they were watching, too–
each of us studying the way
our own reflection
was illumined by the vision
of the other.

We were all looking,
blinking,
beholding–
when we touched hearts sweetly
in a pane of glass.

Now they are gone,
with us inside them.

If you ask me what I think
will make the most difference,
it would be something like that–
something like what I saw
revealed this morning
in our bedroom window.

Rising Seas

comments 47
Christ

Something is happening but I can’t see what it is, because the day sky is an impenetrable scattering of color, and the night sky is too deep to see the bottom.  The moon isn’t a reliable reference either, because it’s just one point, and clearly an outlier.  You can’t leverage it at all.  Though the particulars are being worked out, I still take comfort in this vague arrival– in its presence– whatever it is.

I should elaborate on my topic, though, and not be so coy.

I know what it is.

It’s peace.

The sea level is rising they say, but they’re not really talking about the sea of peace.  That’s rising, too.  Some days I can barely touch the bottom and I wobble around on my tip toes, hopping once in a while in ephemeral weightlessness so the swells rolling in from the center of our galaxy don’t smack into my face.  I can get caught in this thoughtless rhythm.  Hopping, floating, touching down.  One-two-three, one-two-three.  I find myself doing these open water plies.  You don’t need a bar if your being held by all directions.   One-two-three, one-two-three…  I’m not even worried that the dining room table is afloat now, drifting off into the distance, leaving a trail of coffee mugs and papers in its wake.  Some gulls have already claimed it, and are sharing space with the neighbor’s yawning cat.  They’re all just enjoying the ride.

This is what I mean.

Peace.

I like to imagine when Jesus said, “My peace, I give to you.”  It’s like second hand smoke from someone in the corner burning down one of those red pills Morpheus gave Neo.  You’re breathing it in, like it or not.  Jesus says it like he’s got a case full of promotional materials in the trunk of his car– little wood carvings he made.  A bear, a turtle, a man.  Just say the word, and he’ll go get you one.  If I get too worked up, I come back to that moment.  To the offer.  I usually look up to find him standing there, looking back at me.  Waiting.

Me, too.

It takes time for the seas to fill up.

It’s not like the sky starts singing hymns and a spotlight follows you around.  At work the other day I realized I’ve traded in my office chair for an inner tube.  The desk bobs around a little, and if I have visitors to my little cube I jack it up on blocks so it looks normal.  I paddle around to meetings and nobody notices.  You can hide a secondhand battleship in plain sight if it’s just another example of you being you, and me being me.  It’s not even inconvenient.  The clock rolls around, and I do all the same stuff.  Maybe more of it.  There’s that part that wants to sit me down periodically for The Talk.  Where’s this all going?  Let’s extrapolate what’s happening here so we can avoid a disaster.  Any disaster.  Let’s find one, and avoid it.  At this rate all the offices will be flooded up to the ceiling in a decade, and then what…?

And Jesus is just waiting.  Already resurrected.  Making these little wood carvings.  Do I want the porpoise carving or the angel?

Do you have a moose back there?

Peace is rising like the sea, little by little, and seeping into the cracks.  I don’t have weekend plans.  Other than bobbing.  Why would you need a plan besides bobbing?  It’s like being rocked to sleep, or blown like a kiss across the threshold.

“My peace, I give to you.”

The crickets are whistling Dixie about that moment right now– milking that one note for all its got.  Telling the story of it.  They’re hanging out on my coffee mugs and those important papers that stick to the surface, and in the brush just a little further inland.  We’re all part of it, this sea level rising.  It’s gently filling in the land.  Burying our importance.  Making new layers of sediment in the crust.

I know what it is, even if I can’t see it.  Even if the sky is inscrutable.

When I look into the water I just see the bottom.  The office carpet.  The grocery store linoleum.  The dinged up kitchen floor where plates and knives have been raining down for years.  The asphalt.  They’re all a little distorted because of the waves.  Put two and two together, and it’s obvious.

We made it.

Peace is like that.  A lackadaisical, delicious certainty that goes on forever.  Lazily patching us in.

Jesus gave me two sculptures.  The moose– of course– and a hummingbird.

I’d like you to have it.

The Dangled Carrot

comments 47
Poetry

In the inky darkness
of the void,
beneath a tender moon,
a door cracks open,
and perfect quiet
spills out to form a shadow…

A moth appears–
wings a-flicker
from the very first,
as if it has been curiously
darting to and fro
for quite some time,
and the door has appeared
of its own volition.
To be polite.
To show the way.
The weaving gray feather
is hardly more than a tickle
upon an endless sea,
a lone, blurry movement
abidingly happy
within the endless
presence
of space.

Then,
a tantalizing hesitation
behind the door–
a moment of decision
about whether to do so
or not–!
as the moth curls back
alarmingly
towards the threshold,
then curls nimbly away,
exhibiting a whim
that causes skies
such as these
to smile proudly.
The door closes,
and vanishes,
and the moth,
left to its own
uninterrupted curiosity,
glides in a lazy circle
then flutters up
towards the moon.

The Buddha
is doing it again…
opening doors
from one world
to the next
so tiny, happy minds
riding upon silky wings
don’t bump into the end
of the previous one,
and become frightened—
reminding how innocent and pure
endless, whirring movement can be
when the sky itself
is the perpetually
dangled carrot.

A Sortie of Falcons

comments 30
Poetry

Hafiz and I
on a bench, basking
in a rosy sunset.
Falcons gathering
on the limbs overhead–
some Merlins, some Sooties, a Grey–
all of them edging awkwardly close,
coalescing into an artillery of vision.
The theater is full.
A door opens
like an out-sized black pixel
on the face of the sun–
a cuckoo-clock pronouncement–
and brilliant
birds of flame fly out
to swoop across
our sky
like smoke rings
blown by the sun’s
innermost wizard.
Hafiz opens his hand.
I place into it a ten spot.
The black pixel closes,
swallowed by the light.

This is how it is now.

We’re down to revelation.
The falcons
are chirping amen.

There’s no way
to put the lid back on,
because this morning’s world
no longer holds water,
and I’m down
to my last

dollar.

An Artifact of the Heart

comments 55
Creative

I remember falling in love with Bucky Fuller’s use of the word artifact the first time I ran across it– the way the modern world, seen through his eyes, was an assemblage of present day artifacts.  These were not clay bowls and petrified implements unearthed from a Sumerian archaeological dig, but mass-produced silverware, jet engine airplanes, and home heating furnaces.  An artifact in this sense is the embodiment of a particular era’s state of thought.  Thus, an enameled cast iron stew pot is a tangible recording of countless facets of our culture, philosophy and technology– the culmination of our ability to refine metals and coat them with ceramics, of our relationship to food, to the land, to the way we gather together, and to time.  For Bucky, artifacts were also metrics of our efficiency– testaments to our global relationship to matter and energy.

I like to think of the act of putting together a book as being an artifact as well, but of a different sort.  A book is tangible evidence of an author’s journey, preserved in a form that others can carry with them.  A book is a portal to the spaces a person has explored, a record of the journey and of what was encountered, and a means of conveying the intangible from one to the next.  A book is an artifact of the heart– a map and a memory of the spaces inside of us.

I think the truest form of sharing is the act of giving what we find alive within us to one another, and in this sense a book is obviously but one way that we do so.  This giving is the essential act of human existence and unfolding, and though it occurs in countless forms– a book being but one of them– if we are not engaged in the act of giving away whatever grace has found its way to us, we walk this world bereft of the true power of human life.  I’m inclined to think the contents of our hearts, ennobled and empowered through the acts of sharing and receiving, have the power to put this world aright, and so I wrote a book.

Header_Background_CannonBook

Click the image to visit a brief Author Site I have created.

The book contains the fullness of my heart, as best I could capture it, over a relatively recent period of time.  But like one of Bucky’s artifacts, it is the culmination of countless previous encounters and relationships both within and without.  We become the uniquenesses we are by touching events, by touching ideas, by touching the world, and by encountering our own landscapes of inadequacy and desire.  So, the book I have written contains the first meditative breath I ever took, the first doubts and pains that wedged into me and stuck, and the surgical procedures by which they were unearthed and held to the light.  When you look closely, you discover those arrowheads were all diamonds.  Always diamonds.  They rode in on carefully hewn shafts of compassionate wood, guided precisely by the feathers of high-flying birds, and the vision of saints.

I had the good fortune once of being able to participate in Native American ceremony.  The way it worked was that you were set out in the open, out upon the land, alone with the day and the night, so the arrows could find you easier.  Afterwards, exhausted but gleaming, cleaned out of who you once were and that much closer to who you’ve always been, with eyes now intimate with the distance, you thanked those who helped made it possible.  You gave something away– an artifact of your healing.  The first year, I gave away a small paper bound book with a story I wrote.  My friend helped me paint watercolor swatches that I pasted onto the cover.  That same friend put together the cover of the book I am offering now, and as I write, finding words here I didn’t have at the beginning of this piece, I marvel at the spiral of it all– the holy circle of it.

This book wouldn’t exist without the interactions and friendships I’ve made here, in this virtual realm, and I’ve come to realize that all of life is a stepping into the open.  All of life is this stepping forward so we can be found by the arrows that burrow into falsehood, and set the truth within us free.  So, in gratitude, I am giving this book away to you, at least for the time being.

You can click the Contact page or the plus sign at the top of the page if the Contact link isn’t visible.  E-mail me at the address you find with your name and address and let me know you would like a copy, and it will be my pleasure to send you one.  If you are inclined to give something in return, I propose you order a copy from Lulu where it is currently available for sale, and give it to someone you love who may enjoy it.  There is also an e-book format available at Lulu.

Many of the pieces in the book have already appeared here, but I’ve managed to include a number that have not as well.

Thank you…

Heaven’s Front Yard

comments 32
Christ / Poetry

Staggering
through the dim light
of Heaven’s front yard,
slinking into the greenish shadows
of distant outdoor halogens
as if to hide forever,
and ranting silently
about the burden
of makeshift woes
and ramshackle postulates
with which I’d saddled myself–
including my favorite one
about the  pending arrival
of something hellish
but indeterminate in nature
that no being
should ever have to face–
why wouldn’t I accept
the cocktail napkin
and the nice sandwich
offered to me by
this roaming waiter
in slacks and an apron?

Thank you, my man.
I burst into a collage
of etiquette and smiles.

Finally… some decent service.

Hafiz nodded.
His rainbow-colored afro wig,
looking mostly brownish
with streaks of cream soda
in the scotopically destitute
light of Heaven’s front yard,
nearly fell onto the lawn.
He recovered quite nicely,
then began to gaze with intent
at the ochre bit of parchment affixed
to the decorative pom-pom fruit spear
holding together my sandwich.

I plucked out the note:

There’s nothing we can do to help
if you don’t
come inside.
But in the meanwhile,
we can at least
send out a Friend
from time to time,
with sandwiches.

 Sincerely,
The Staff

The Trail Up the Mountain

comments 37
Christ

This post was written in response to the Inner Child Blog Challenge that Ka sent my way…  Thank you, Ka, for the prompt…

As children, what happens swallows us whole.  We occupy slices of heaven easily.  They’re what we expect to find.  There are no beliefs to suspend in order to gain access, for our minds have yet to form them.  Our physical brains are malleable potentials, taking in light and sound with curiosity, measuring inflections and discovering the strange reality of symbol, etching into living circuitry the basic algorithms of response and interpretation that our lives will require.  We are precious and vulnerable all at once.  Tragedy at the wrong time can shift our sensitivities indefinitely, coloring the world in shadows and thorns, leaving us beset with false axioms about our relationship to pain.  Across the street, a gentler living room is the den of kings, talking bears and little houses on the prairie.

At Christmas one year, we had a book about an angel.  I don’t remember much of the story now, but I do remember the feeling.  Read it again, Dad.  I lost myself in it that evening, into the memory of places where everything works out, where an angel’s doubt was met with beauty and dissolved completely, and holy purpose was revealed.  The second time wasn’t quite the same.

Why are these glimpses so fleeting?

It was time for bed.  I usually asked Archangel Michael to take the front hallway, and put his buddy Gabriel on the roof detail.  My Dad agreed it was a sound strategy.  I knew from prior discussions that they could be at our house, and countless others as well.  This type of largesse did nothing to subtract from the protection of another.  I asked for a few more guardians as well usually—one outside the window, and one at each corner of the house, because even as children we know the power of symmetry and dimension.  I didn’t question these moments, or understand that calling on powers like these to keep you safe implies the existence of darkness.  I was merely a child, an open awareness.  I was sincere, and I slept soundly.

As children, we accept the world as we see it.  The first world we flow into is the natural one.  Years later, we sort it out.  What emerges is an adult.  Then the real sorting begins– the questions about undoing things altogether, about finding our way back to the beginning.

When I was a boy, ideas would find me that I didn’t know how to actualize.  Feeling flooded with potential, as if I could fly, I tried to make sculpture out of shaving cream, but by the next day it had evaporated.  By then the feeling had passed anyway.  I rode my bike down to the store and weaved back and forth between the bollards, populated by thoughts I no longer remember thinking.  Sometime later, moving to a more substantial medium, I managed to get a teaspoon of real clay stuck to the ceiling above the kitchen table.  I tried to brush it off with a broom, but that just spread it around.  This was not a precocious moment, and my seven year old self soon lost interest with the field of sculpture altogether.  But times continued to arrive unexpectedly in which I felt flooded with potential, like there was a cosmic eye in side of me that periodically opened.

We got a computer around then– an IBM PC Junior– and I learned how to write programs in Basic.  I carried the small three-ring binder of Basic commands with me to school, and slid it under my chair.  When I completed the classwork, I would read about how to make the computer draw lines and circles, shade them with color, or play sounds.  I wrote a thousand line program that summer that drew a scene of Darth Vader and Luke Skywalker squaring off with their light sabers in a cloud of smoke, and played the Star Wars theme song through the speaker.  It was the opening montage to a Choose Your Own Adventure game I was developing.  The Imperial Forces were closing in.  Should you take the next shuttle out, or hide in the cargo bay with the wookie?  I loved wondering where choices might lead, as it seemed they could lead right through one world and into another.

That was the same year I learned a few constellations.  I still remember the winter night I stood on the sidewalk, looking at the stars, thinking that I only had to be good for this one life, and then if I got into heaven I could relax.  I dreamed of that relaxation– knew exactly how it would feel, but the path from here to there felt thorny and confusing.  I didn’t trust myself to run the gauntlet with the needed devotion.  My mother told me she didn’t believe certain things the Church said about heaven and hell– that no God would make suffering eternal.  It rang true, and I clung to it.

To make our way, we have to trust what rings true.

I saw a time trial from the Tour de France one Saturday morning, and spent the next weeks racing up and down the streets, hunched over my handlebars, dreaming I was Bernard Hinault.  I had no idea he and LeMond were feuding.  All I could see was the way pure will and glory were somehow connected.  There was a nice bike store in the city a mile or so away, and I would ride there during the summer and browse the grown-up bikes, picturing Hinault’s face grimacing into the side of some mountain.  At night, I asked my Dad to time me while I raced around the block.  I began riding up steeper hills.  Then life intervened and something else called to me.

A friend and I plotted a hiking route up the mountain on which the city was overlaid.  The course started at my house, criss-crossed through the city, then through the wind tunnel of a small apartment complex past painted iron grating and closed doors, up the trail of a park, across a parking lot, and finally along a utility right-of-way through the woods.  The last stretch passed near a wide opening in the ground we worried was filled with thugs and bandits.  I was nervous of someone jumping out from the darkness to grab me, but also knew I couldn’t remain beholden to the anxiety and make it to the top.  Our first ascent was in the rain.  When we made it to the top, we climbed over the fence and snuck into the park, and bought sodas.

One thing led to another.

I worried the US and Russia would use nuclear weapons to destroy the planet.  The Challenger blew up and our teacher asked us how we felt about it.  I worried deep down I wouldn’t be nearly good enough for something up ahead, though I didn’t know what it was.  I wondered what all of it was, and was for.  I went out alone, years later as an adult, into the night to meet myself and grief was all I had at first.  I’m still recovering from this world I fell into, the one that made the first impression, where there wasn’t quite enough of something that everybody needed.  Transforming that world became the only worthy purpose of my life—not transforming the world exactly, so much as my erroneous conclusions about what it was, and is.

I’m plotting a new course now, with Gabriel at my left and Michael up ahead on point, and Hafiz now on my shoulder holding the lantern– a path through the skyscrapers, dark caves and abandoned corners of this world, up the mountain to the glowing door no suffering can pass… to the unity I felt in glimpses even as a boy, and wondered what it was… to the unity I wondered if I would ever deserve…

Only now I know what I didn’t know then: that I’m not alone, that we all deserve it, and the door is also finding us…

The Upside of Mindfulness

comments 30
Poetry

Without mindfulness,
you might spaz out
in a moment of adversity
and plunge the toilet

recklessly

completely oblivious
to the fact that
only a little nudge
is being asked for
in that location,
a gentle rhythm
that will pass through
a vast and holy maze
of intersecting worlds
that just happen

for that one moment

to share
your half bath,

so that in places
broadcasting colors
your eyes can’t understand,
and sounding deft languages
that long ago
outgrew the shackles of words–
places you can only contact
in the silent panorama
of your heart,
or in the curving sentience
of your breath,
(or in the porcelain-seawall-breaching,
sloshing mindfulness
of blockage removal),

a new life may be delivered
into being–
a new star perhaps,
or a baby lamb–
a vital spark of Creation
that needed you
right then
and had no other way
to reach you.

Without mindfulness,
how would you
know that?

You would think
it was just a toilet.
And you wouldn’t
take no for an
answer.

Breaking Free

comments 41
Poetry

If the premonitions of being
that scythe through your soul’s
back forty all day
like shadowy pendulums
hung from a pivot
so insanely near to
the nodal origins of your existence
that it’s a perpetually mild discomfort
to your otherwise undistracted mind

cause you to tremble,
take a quick, nervous breath
and brace for impact,
dive towards an embankment,
spontaneously recite
procedures for exiting sunken cars,
or climb the stairs of tall buildings
to burden the minds of pigeons
with your human algebras,

then might I suggest
you are misinterpreting
the Beloved’s compassionate
attempts to flag you down
from the backstage
of your personal hell–
(Act 471 and counting)–
to catch your attention
and say

Hey–!
Over here, you insanely
beautiful nut!
Look!!!

There’s not even
a wall back here!