The Christ Code

comments 11
Christ / Poetry

At one level,
the human body
is an Enigma–
a code machine.
All day long they run:
informing,
creating,
conducting.
There’s the genetic code, sure.
Then there’s
the histone code,
the sugar code,
the signal transduction code,
the ubiquitin code,
the adhesive code,
the splicing code,
the tubulin code,
the metabolic code,
and so on and so forth.

Kids, too–
they know this game.
We’ve all dabbled.
We sprinted across the yard,
dove into leaf piles,
barked out
the code talk
into crackling
hand-held
microphones:

Whiskey
Foxtrot
Zulu…

Cupped our hands
to our forehead.
Looked significantly
towards the sky.

Alpha.
Omega.

We’re so
rife with the truth
it just spills out
whenever
we’re spontaneous
and sincere,
the way a
bank robber’s
canvas bag
is always
coughing up
the evidence.
When you speak
from the heart,
stars slide into position
all over the universe.
In the sky above,
water molecules
condense upon granules
of dust, and clouds
begin to form.
Twenty years in your past,
uncertainty vanishes.

The center
of every code
is a two-sided lock, an adaptor.
One key from one world
matches precisely
with one key from
another world.
That’s called meaning.
It’s a lock that doesn’t unlock,
but always reveals.

Nature is
the continuous interchange
of One Meaning,
a perpetually whirling symbol,
a code machine of infinite gearing
and every day a new combination,
a transmuting symbology.

All Light is encoded
with all other Light.
All beings are a code
for all other beings.

At the center,
Christ is the cosmic adaptor.
the code connecting
the heart and the mind,
the hidden and the plain.

Christ is the two-sided lock
that woke up,
a conscious code,
a bridge between worlds,
a code that cracks codes,
a unifying language
that has no words,
the realization
that everything
is a secret
about everything else.

We talk like this–
so strangely–
for no other way
can reside in time.
We have to use
subtleties here,
angled approaches
and deft little signals–
use eyes that know how to see.
When we forget that,
our lives
are reduced
to opaque texts,
confounding jibberish.

But when we
remember we are
living code,
we can make
the translations:
the shape of a hand
is forgiveness.
The sound of a voice
is existence.
Every encounter
is the secret handshake
called Love.

Simple Steps

comments 28
Christ / Poetry

The heavy lifting
is done in the invisible
realms.  What’s left
to be done here
is simplicity itself.
Beauty emerges
from tending
to the obvious.
Get some water.
Carry stones.

When we’re like this,
we live inside of choreography,
though we’ve never seen the script.
We couldn’t read it, anyways–
ten million movements
on planes of existence
whose names we cannot
understand, all conspiring
to make our next step plain.
Just take it.
Don’t wonder about
what it means,
or where it goes,
or wander off thinking of
other steps or destinations
you saw in a magazine.
Be worthy of what is given.
Savor the beauty
of that one step,
then the next,
then the next.
They’re leading
up a mountain
we can’t see
from our plane,
guiding us from one world
to the next.
Step… Step… Step…
This is how stars
were forged,
by willing atoms.
One merges with the next.
Then another.
Then another.
Ambition is superfluous
within the sacred necessary.

Insights are found
at dawn, lying
in a field,
banked fires left behind
by the shepherds
of last night’s
migrating herd of dreams–
a curling wisp of smoke,
gentle waves of heat,
a core of still-glowing embers
that ripple with orange
when the wind sweeps past.
What is needed is obvious.
Find a can.
Get a blanket.
Wrap them.
Keep them warm.
Take them home
and make a fire
in your hearth.
Gather together.

The tasks here
are simple.
There are no spells
to be cast, no
potions to brew,
no elaborate schemes
to concoct, no ways
to win or lose.
Just simple things.
Mary had but
to listen to Gabriel,
and let her heart
say Yes…
Joseph, the same.
Keep being Joseph.
Go to work.
Tease the stone masons.
Stop by the market.
The difference
was the light in their eyes,
the willingness to be lived-through,
the willingness to let
the simplest activities
become encoded by
the holiest secrets.

The heavy lifting, remember,
has already been done.

What I Like To Call It

comments 20
Poetry

They look at me funny
when I tell them
I’m a cosmic stunt man,
like I have a condition
because I can’t stop
coming to Jesus about
the elaborate nature
of this phenomenal ruse.
Like indifference
is a rational response
to having undergone
such a prompt step into existence,
to having donned that
stretchy, knowledge-retardant suit
and climbed down the business end
of a circus artillery piece,
only to fall asleep just prior
to the moment of detonation,
to then be flung
like a starry-eyed embryo
into a teeming field of
what’s not even happening.
Like convention
is an adequate remedy
to that sudden unmasking
into hurtling nakedness.
Like they were immunized once
against the side effects
of becoming a being with needs.
They look at me funny,
as if all those things are true,
and cosmic stunt men
are just a myth.

Hey pal,
you’re looking right at one.

What would you call it?

You put on the old
knowledge-retardant gown
and a bus drops you off
at the edge of a wilderness
that fills in behind you
when the bus pulls away.
Then you gradually awaken
to the fact that you’re standing
in a non-stop field of collisions
with shot peen, asinine thoughts–
like you’re whole world
suddenly became a hot air popper.
That’s when the stunts begin in earnest.
Dashing, dodging, leaping, blocking,
catching,
throwing back,
spending many long years
in search of one magic piece of shot.
At night when the moon glows
and you’re walking through the forest,
you start to wonder if a jailhouse line-up
of striped dream characters
isn’t following you around–
loose ends from your other life,
people who shook your hand
before you climbed down a cannon barrel,
nice enough beings you keep straining to remember,
but all you can see are glassy reflections
because the wrong set of lights is on in this world.
Meaninglessness holds out a coat
full of sparkly gold watches
right before you get clobbered on the head.
Good trick!
From there,
it’s grappling along the edge of a cliff
with eight-legged beasts of longing,
rolling-barrel sword-play with non-existence,
and taming the lions of your anger.

When you finally submit
to the possibility of revelation
and your eyes meet another’s
in just the right way:
epiphanies,
existential barrel rolls,
fake fight scenes
that spill over the rim of time,
triumphs that end with quiet tears
your bones have been holding
safe all this time
until you needed them.
You hold your heart out
like an empty tin can
to everyone you meet.
It’s full of flowers.
Take one.
You’ve become the type of being
whose presence puts suffering on notice.

For the last trick,
we vanish together.
The sky twinkles with our laughter,
sparkles with our whispered secrets.

I guess I like to call that a cosmic stunt,
but I’m open to suggestions.

The Art of Pearl Diving

comments 15
Christ / Poetry

See if this helps:

Christ is a fisherman
whose nets are cast nightly into
the sea of non-existence,
pulling haul after haul
of shimmering beings
out of the abyss.

The seas are black as ink,
the waves like rolling hills
of liquefied obsidian,
impenetrable to plain sight,
but the nets emerge from the deep
full of wriggling, unspeakable colors.

We were each caught like that,
scooped out of the darkness
in nets woven by angels,
hauled up to the light of day.

And for what?
some ask.

The audacity of the question
is eclipsed only by the audacity
of Life itself.
Is it not self-explanatory
to see the
impenetrable
untouchable
electric
magnetic
genius
non-conforming
preposterous
fluid of existence
whirl itself into a skin
that reflects the light
in every direction at once?

I think maybe
the catch-and-release part
has proven a tad disconcerting.
Recognizing that every skin
is but a passing word
in an eternal conversation,
we peer over the side of the boat,
losing sight of beauty’s enduring premise,
waiting our turn, petrifying in place,
unable to see beneath the surface,
squinting, gasping in panic
at what can never be seen.
We play organ music
and stand at attention
when a faded dollop of color
slips over the side.
We forget the two worlds
are interwoven,
each reaching into the other
like hands held in prayer.

It’s a false divide,
this here-there mentality.

For some, this culture of choosing sides
has become a tad theatrical.
If you happen to look up
from the next bagpipe procession,
you’ll see Hafiz has set up
a folding table on the poop deck
and is taking volunteers for tonight’s
combined plank-walking
cannon ball competition.
At dawn, Christ will be offering
lessons in the art of pearl diving.
Beings without misperception,
experienced travelers like these,
are the stitching together
of both worlds.
They are clasped hands.

See if this helps:

Buckminster Fuller
once wrote that
our ancestors
were sea-dwelling beings,
and that our evolutionary path
involved learning
to carry the sea inside us
wherever we went.

I think,
at least as a starting point,
that sums it up
quite nicely.

No Way to Live

comments 28
Poetry

It is possible,
strange
though it may seem,
to imagine
that right now
is a most exquisite
Love note
written with
you in mind,

to imagine that
this very moment–
with all its
shortcomings,
flaws,
minor aches
and pains,
pain killers,
and just plain killers,
the war department,
the paperwork,
and the miffed populace
in which you’re mired–
is a tactical
choreography
offered in the only language
you yet understand,
suggesting
with all due respect
that you consider
aiming the business
end of that bugle
at the nearest thunderhead,
put the sweet reed
of surrender
to your lips,
and sound the retreat.
Fall back
to the rally point
at the center of your chest
and rendezvous with
the limitlessness
of your true
nature.

Others
will join you there.
Crazy poets,
angels-in-training,
and people who
hang glide.

It is not only possible,
but recommended
that you interpret
this very moment
as the type of experience-door
out of which every good thing
might suddenly spring
like glory from a cake,
for the alternative–
wandering the desert alone
trying to man up
against your doubts
and your thirst
and your mental quackeries
and not to mention
the natural born predators
patrolling the countryside all night,
well…

…that’s just no way to live.

Migrations

comments 26
Christ / Course Ideas

I was in Washington, D.C. this past weekend with my wife and her eight year old grandson, and we went to an IMAX film to see the story of Fred and Norah Urquhart, who spent much of their lives in a quest to understand the migratory path of monarch butterflies.  After several weeks of an extremely busy schedule at work and an annoying skin infection that has been insistent on delivering its message– a time in which even meditation has felt like squinting at my heart through wax paper, or running up an incline against the jet stream– the beauty and audacity of these little creatures (and the people who tracked their movements over decades) brought me to tears.

Sometimes you hang on for the ride, and take deep draughts of meaning when you can.  You hunt and hunt, and then somehow synchronize with it in a quiet moment.   Then you’re back in the crowds, clinging to that scrap of grace, drowned in snippets of conversation and cell phone photography.  Battery-draining flashes peppering a stuffed bison.

Down the hall from the IMAX is an exhibit about early humans and our five million years of evolutionary history.  My tears came from recognizing that butterflies have no reason to question their validity, no conscious bandwidth in which doubt about the necessity of flying south might reside, and when I look at the artist’s renditions of our ancestors I cannot help but think there were stages in our collective unfolding in which we were not really “thinkers” like we are today.  There was once no room  in awareness for the types of questions that can fester today.  I pictured beings that felt and loved and responded to circumstance, but perhaps without the depth of reflective awareness that we Homo sapiens possess.  And there I was… thinking… moderately uneasy about who knows what, a two-legged seed pod of the modern conundrum.

We stand on the threshold of perhaps the greatest leap in evolution I am capable of fathoming: the movement into form of the type of awareness that can both embody meaning, and be aware of it at the same time.  I conclude we are caretakers of meaning.  We carry it inside of us, knowing it not at times.  At the moment of its arrival, this is a stunning consideration.  I think this even as I carry my wax paper heart around with me wherever I go, attempting various resuscitative practices, returning frequently to the patient knowing from experience that these phases pass, usually concluding in revelation.

Back home, I sit to meditate and talk to this little skin dilemma, thinking about Amanda’s recent post on the wisdom of the body, thinking about five million years of eyes looking out into this realm, of one vision cascading into the next.  In the Dialogues of A Course of Love Jesus speaks about the movement from maintenance of Christ consciousness to its sustenance, a movement described as traversing the tiny remaining gap from image to presence.  We get a taste of the depths available to us, and then we skate through these periods of service interruption as we cross the boundary into full awareness, navigating times when we still occupy old habits and images.  It’s nothing we “did”, nothing we are “doing” or “not doing”, just an encounter with boundaries we once erected that no longer need be.

I take a breath and a whisper arrives from beyond the thread of thought I’m observing, something about shedding skins.  At once, the wax paper is gone, and I’m whole.  The spell is broken, and it happens in a flash.  A skin annoyance… a shedding skin… a realization there is an image to relinquish, a trying I have wandered into, a wax paper coating on my vision I have approached and witnessed.  I have slid into the thinking-trying mindset, and been nudged into awareness of it.  These moments can turn weeks of uncertainty into the recognition that a gentle force was guiding us all along through image to presence.  Five million years and counting, one subtle shift in awareness cascading into the next, the shedding of skins and concepts until meaning is all we have left– this is the migratory path of the human being.

Intersection

comments 37
Christ / Poetry

Illusion is a grid of two-way streets,
an endless network of choices.
Asphalt riddled with diesels, sirens, and street lamps.
Buildings with decisions stacked up to the sky
like trays of factory-laid eggs waiting for chicks.
Dropped ceiling meanings.  Angled views.
Helo pads on top.  A strange silence up there.
What if the engine fails?
Parachute racks, lightning rods and hose reels.
Tightropes strung from peak to peak.
Wind socks for safety and guidance.
The heavy burden of choosing,
its relentless necessity,
a gnawing uncertainty paved over with habit.
The addiction to data.
An elevator back to the ground.
A dank stairwell whose echoes are polygons,
the past spliced onto the future.
Forgotten, helpful signs over the doorways.
An axe behind glass, the display of violence.
A corridor pregnant with running disaster.
Back at grade, views of the water.
Choices arrayed like nodes on a floating boundary:
river taxis, barges, and pontoons.
Whistles, solicitations, and negotiations.
Advertisements bobbing in the sunlight.
A line for tickets.  An empty gangplank,
the logical place for disembarking.
Jet skis, floating tricycles and scuba tanks.
Tours on tall ships recovered from a previous age.
Ropes as thick as your wrist.
Ferris wheels, psychics, and historical society
plaques depicting the regional rates of change.
The present testifies to the power of past,
of choices made by others–
gambles lost, battles won, boldness rewarded.
A quiet absence of the forgotten.
Underneath– subways, rubble and regional trains.
Electrified track, electrified cars, electrified minds.
Garbled announcements.  Bungled doorways.
A bedrock scored with rattling choices,
the clickety-clack of scheduled opportunity.
Illusion is the sensation that choices matter,
that the right ones lead out of the maze,
that purpose is a destination.
Illusion is the sensation that our choices build resumes,
that worthiness is our principal shortcoming.

Reality is a way,
a loosening of need,
an easy stalking of being,
a reliance upon the unnameable.  Stars in the darkness.
Standing on the platform, waiting in space.
Beings nearby.  Beings far away.
A feeling that began in Tokyo returns to you.
Arrivals and departures,
no choices that need to be made.
An acceptance of circumstance,
the carrying of presence, a patience that transforms.
The swirl of water below bridges, the gliding of birds.
Rivets and welds bathing in paint, bolted connections,
the continuous flow of weight into the ground,
an enormity no one can touch, though we walk upon it.
Sleeping and waking blend, a continuity of longing,
a desire perpetually filled.
The awareness of stoplights from here to the horizon,
their xylophone shifts, their syncopated phasing,
the gradation of memory into the breath,
every form an unfolding.  Ideas.
Imagination.
Trust.
Buddha and Christ, sipping tea, paving roads,
setting steel, watering flowers, disappearing.
Every perception an encounter, a beckoning home,
a taste of freedom.  Your words fill with sky.
Your heart fills with mind.
Your mind fills with ocean.  The phone rings.
Movement that reveals but does not compel.
Running in the rain, getting wet, smelling water.
Silent cues and feelings, interwoven.
Nothing needs doing.
We are a universe anyway.
A familiar smile on an unfamiliar face,
an anger you carry like a newborn,
a sadness you nurse back to health,
a favorite song, a friend you’ve lost,
a friend you’ve discovered.  Sunlight upon runners.
Reality is a timeless invitation continually accepted,
a gentle undoing, an easy discovery, an embrace,
a way,
forever,
uninterrupted.

Whatever This Is…

comments 25
Christ / Poetry

For a time
it was vitally important
that I witness the sunset,
that I look up from whatever
act of commerce or gastronomy
had caught my attention that day
and look west,
to pause and listen to far away places
that seemed, for just a moment,
to pour through the offices of my heart
in fleeting snippets of a cosmic dialect.
That was the moment,
the precise time to say it:
whatever this is…

I accept.

When the sun rippled at its edges
and buildings shimmered like fragile huts,
that was the time to muster
every nascent crumb of presence
and form it into a bead of meaning,
to offer my whole attention to the sky
and the sensation of all things vanishing together
while the grasshopper clung to the side of the lamppost,
to sketch out my response to the whole of given existence
with feelings opened wide like a box of dulled crayolas:
whatever this is…

I am.

That was the time
to envision the Earth’s magnetics
and ponder the creeping fury of glaciers,
to hear the minds of birds
embedded in the day’s softening,
to stride swiftly down the lane
to find a spot between boulders
so I could catch the very last instant of aerial fire,
to stroll through a forest of pine,
slowly sinking into the gathering stillness
of a long stretch of wooden sentinels,
so that when the finger of molten light
finally slid across the needled floor and climbed up my chest,
I was ready for the instant when all of us are dissolved in solution,
gathered close, remembering together:
whatever this is…

is dancing.

The difference between then and now,
having looked into the eyes of Hafiz
shimmering upon the surface of a moonlit lake,
is the depth of my honesty with you:
one moment a day is no longer enough.
The volatility of my need has ignited into a steady flame.
Warmth lingers upon my sight, and my vision
has become a penetrant that cracks open every motion.
After a period of watching sunsets,
and listening,
we become the opening we seek,
the choreography,
the encounter,
the gentle breeze that remembers,
even when we’re trapped in groaning elevators:
whatever this is…

I know you.

Reality. (Hand Clap, Cheek Cluck, Waddle Waddle, Foot-Stomp)

comments 17
Book Reviews

The title to Peter Kingsley’s Reality is about one word short in my opinion—that word being “Check”—but is otherwise perfect on all sorts of levels.  It is at once ambiguous, provocative, presumptive, tantalizing, engaging, slippery, and so-simple-it-stuns, much like the work itself and the classical Greek philosopher-shaman-necromancers whose timeless wisdom Kingsley brings to light therein.  My favorite aspect of the title is that its simultaneous ambiguity and depth act together as a self-limiting rhetorical throttle.  This isn’t a title to drop into a five minute conversation with an acquaintance.  This is a title that, every time you wind up the gears to say aloud, perhaps with a small measure of pride as regards your current reading list, you realize is going to land you in a rhetorical pit of vipers.  Quite simply, it’s a title no one can explain—an entrée into a conversation no one can finish.  And yet it’s entirely accurate.

It’s just a book though, right?

I mean… right?!?

(I just read it so I need a little grounding…)

Well, of course it is.  Same as this is just a world all around us.  Same as I’m just a person and you’re just a person and that’s about the sum of what we need to know to get the logistics sorted out.  There’s one book and two beings.  We’ll just take turns.  Easy.  Hand clap, cheek cluck, waddle waddle, foot-stomp.  What do we need to know that isn’t obvious?  That isn’t staring us in the face with its tongue out, or winking to us through the window while we’re enduring the socially normalized opprobrium—lecture format—due any being who fails to properly paginate their prêcis?  Don’t we pay attention to what we’re doing!?

Indeed, attention may well be the heart of it.  Ninja attention.  Metîs.  This is the word I learned that traveled from the spring, to the river, to the ocean, to the sky, to the earth—into me, through me, up one side and down the other, then vanished.  Metîs is the mojo you need in order to disbelieve what’s right in front of you, to see through the light show that has bamboozled billions of beings, (there’s only One of us), and then at the very last, just before dismissing the whole of it as an illusion, to chuckle and shake your finger at the Double Agent we call Life.

I know that this…
this foaming sea of color and light…
is not me…
not me at all…
but still…
the most remarkable plumage of Being is on display…
something seems to be Happening here…
and where was I thinking of going again…?

At first I was slightly underwhelmed by Peter’s dramatic prose, by the way scholarship and research are pitched as acts of salvation, moments of elucidation snatched from the jaws of ignorance, and hungry jaws at that—jaws that have consumed lesser and more conventional scholars for the better part of three millennium.  He suggests that if we wish to understand Parmenides we had better be ready to leave everything else we thought we knew behind, or face the alternative of wandering deaf and blind through a few more shimmering turns of the cosmic wheel.  That part rang true, though, you see, and in the end Peter’s prose grew on me steadily as the book unfolded.  He tells a delicious story, and looking back there could not have been a sturdier vessel than story itself to bear us across the seas of time and drowsy witlessness that have divided us from our remarkable inheritance.

The masterful aspects of Peter’s writing were evident in the way I continuously found myself on the brink of revelation.  Then, when I put the book down and tried to look back upon the terrain I had just covered—to take in the majestic view, to tell it to myself so I wouldn’t forget it—all my words just scattered.  In one instant my mind was a herd of deer from every angle, the next moment a vacant glade.  A single acorn.  A man hunkered atop a stone wall, listening to the wind.  A heart tumbling into the sea.  I was the awareness of an entire meadow, the effortless, simultaneous comprehension of every flower, but by the time I turned from the text to take a closer look at the scenery through which I was traveling, it was gone.  It’s a good thing in the end that you have a tangible book to hold in your hand—a nice, heavy, well-formulated distraction to wrestle with while making the journey—so you don’t believe too much of what you see as you make your way to the Underworld.

I’ve had this experience before, encounters with a sublime understanding both obvious and intangible.  It was this feeling of recognition that made reading this book so enjoyable.  While Peter portrays the teachings of Parmenides and Empedocles as buried treasure, wisdom that has been lost for ages and passed through mind of scholar after scholar unnoticed like a sealed baton, it is nevertheless a treasure that is all around us.  What struck me most reading Reality was the connections that formed naturally with other moments of recognition sprinkled along my walk.  If it weren’t this way, if the book weren’t in the end stating the obvious, the teachings of the Greek shaman-necromancers revealed inside its pages would be proven false.  It is the fact that the treasure Peter unearths is so rich, so fleeting, so ephemeral and yet so clarion and unmistakable that suggests we are dealing with genuine power.

The genuine power of who we are.

I couldn’t help but notice the many obvious parallels to A Course of Love—the recognition of immortality through the window of this mortal frame, the injunction to return to the world from the places of purest being in order that we might live what we have discovered, the manner in which the illusory nature of our daily experience is transcended through inner witnessing of reality’s singular core, to name a few.  I could see plainly in the teachings of Parmenides and Empedocles the insights of the genius Walter Russell and his teaching that all motion is born of stillness, such stillness being the Universal Fulcrum from which all form derives its power of expression.  I suspect others would find countless similar threads and connections.

Like all good revelations, one leads to another until all the hands are joined and the circle is complete, until all existence is bound together both in and by the same hoop.  That sacred hoop is all around us.  All it takes is a little ninja attention to see it and make it real—to see through walls, to see through hatred, to see through disease, to see through time, to see Unity flowering in every moment.

And for a delightful joke to close this all out, click here…  Make your way past the advertisement, but please, my friends.  Please read with metîs…

A Lineage of Kazoos

comments 17
Poetry

A skull is a resonating chamber,
a human-shaped bottle for storing echoes.
A Great Mystery holds me up to its ear–
who is listening to Whom?
Awareness merges with such a sound,
vanishes.

A skull is an organic amplifier,
a condenser of ethereal transmissions,
an inwardly-curving bone around a hollow void,
meant to be dipped daily in a field of silence–
held to the ear of a Great Mystery.
Over time, carefully tended,
the silence cools and coalesces.
Its oscillatory register falls
until what was once beating everywhere
and at once with time-shattering speed
has collapsed into a single droplet.
A Knowing.

One drop of Knowing
is a good day’s work.
Such potent distillations
inspire the Bone Maker
into creeping motion:
plates shift tectonically
and skulls drift into new octaves.
Like this, we all move together,
shells drifting into the pattern of a new egg,
a codified, pregnant Pangaea.

A million skulls tuned as One
could topple a wall,
smooth out a world,
collaborate symphonically
into new species, unencumbered eras,
or unprecedented flavors of time.
Dipped into the same pool at dawn,
each hollow horn becomes
an echo of a common spring.
We multiply what we carry,
carry what we know,
know what we are Given.
Over time, as Knowing incubates:
a River.

Our modern reason is a kazoo
surgically embedded
in the side of the skull,
the cyborg’s logical enhancement.
Our skulls have become buzzing factories,
assembly lines of meaningless permutations
expelled through our ears to litter the sky.
Now the rules say what may be so,
instead of the Silence.
The echoes we are Given are missed
in such bristling cacophony,
no longer cooled by our presence,
and remain as vapors.
We can no longer hear one another.
There is no multiplication,
no Power.

A lineage
is a good day’s work
repeated for a thousand years,
one skull after another
dipped in silence each dawn, carefully tended.
We’ve seen vestiges of such possibility.
I saw gourds fly once, in the darkness.
I saw a human, walking across the sea.
In between breaths, my kazoo stuttered,
and I heard a thousand beings, chanting.

I cannot escape the feeling that kazoo time is ending,
that a Great Work has been tended behind the scenes,
that despite ourselves an orchestra has been grown,
a vast field of skulls shaped into trombones and violins.
I cannot escape the feeling that a pure tone will sound,
that we will look up and see an incredible kazoo
in the smiling mouth of a Great Mystery, Who,
with arms raised, a great world-stirring baton at the ready,
stands eager to conduct the first measure of what comes Next.

* * * * *